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Bamboozled (New Line Platinum Series)

Average Customer Rating: 4.0
Release Date: 2001-04-17
Publisher:New Line Cinema
ISBN:0780634063
Actors: Damon Wayans; Savion Glover; Jada Pinkett Smith; Michael Rapaport; Tommy Davidson
Aspect ratio:1.78:1
Audience rating:R (Restricted)
Format: Closed-captioned; Color; Dolby; DVD; Letterboxed; Widescreen; NTSC
Language:Original Language: English;
Cinematographer Ellen Kuras
Producer Spike Lee
Writer Spike Lee
Editor Samuel D. Pollard
Producer Jon Kilik; Kisha Imani Cameron
Weight:1 pounds

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Product description

 

Pierce delacroix a young african-american network executive whose boss orders him to come up with a hot trend-setting urban hit. With the help of his assistant sloan a homeless tap dancer and his sidekick delacroix creates mantan the new millenium minstrel show. Studio: Warner Home Video Release Date: 05/10/2005 Starring: Damon Wayans Jada Pinkett-smith Run time: 136 minutes Rating: R Director: Spike Lee

Director Spike Lee has never shied away from controversy, and with Bamboozled he tackles a thorny mix of racism and how images are bought and sold. A frustrated TV writer named Delacroix (Damon Wayans), unable to break his contract, tries to get fired by proposing a new minstrel show, complete with dancers in blackface. But the network loves the idea, and Delacroix hires two street performers (Savion Glover, who is truly the finest tap dancer since Fred Astaire, and Tommy Davidson) whose hunger for success and ignorance of history combine to make them accept the blackface. Despite protests, the show is a huge success--but gradually, the mental balance of everyone involved starts to crumble. As an argument, Bamboozled is incoherent--but how can racism be discussed rationally in the first place? Lee takes a much braver approach: Every time something seems to make sense or make a point, he complicates the situation. At one point, Delacroix goes to see his father, a standup comedian working at a small black club. Delacroix perceives his father as a broken failure. But his father's routine is full of articulate critiques of white hypocrisy, and the older man describes refusing to play the narrow movie roles that Hollywood had offered him, while Delacroix has convinced himself that his minstrel show is actually doing some social good. And what is the effect of the show itself? Lee obviously finds blackface abhorrent, but the minstrel routines are perversely fascinating and Glover's dancing, even when he mimics Amos and Andy-era routines, is outstanding. Most cuttingly, Lee points out parallels between minstrel and contemporary hip-hop personas. By the time it's over, Bamboozled won't have told you what to think, but you will have to think about these issues--and that alone is a remarkable accomplishment. --Bret Fetzer

Customer reviews


« cute and "terrible" intentionally in a wonderful way »
The movie is not terrible but it's about being terrible. And about Black entertainers keeping all the money as represented by the novelty bank. This is a good movie and is best watched with likeminded friends like watching Office Space or Princess Bride - it's more fun to laugh with others when watching this movie. Jada Pinkett Smith looks really pretty in everyday clothes and the best part ... Damon Wayans as a Buppie puts his HAND on her shoulder and arm and squeezes. Gack = I hate American and Western touchy culture and obviously, I am not alone in my detestation.
Rating: (4 out of 5) @ 2010-08-18
« great idea, terrible movie »
What a mess made of a great premise. Yes, reviving a black minstrel show is a monsterously great idea for satire; this could have been an epic moment for Spike Lee to use racist materials in order to destroy them with class, confidence and wickedly funny smarts. But no, Spike's only expression is angst and reverse racism, rolled up in a bunch of "safe" hammy melodrama and self-consciousness. It's not funny at all, and very boring. Worse, it all looks very amateurish, like Lee's a film student without the ability to pull all his ideas together. The film never finds a consistant tone and the end is just laughably bad. Your time is better spent reading a book about blackface or Bert Williams, or doing anything than watching this lousy dreck.
Rating: (1 out of 5) @ 2010-07-30
« Spike Lee's Most Intellectual Work »
Spike Lee may be arrogant. And he might be wrong about some of the things he wants to say--such as interracial relationships are necessarily about having a "jungle fever." But in this film, he is brilliant.

This movie is, I would say, made to accompany Frantz Fanon's book _Black Skin White Masks_. In both, the issue of how an oppressed people is made to perceive their own bodies according to the logic of oppression is the central issue. Furthermore, in the movie, some of the characters are reading Fanon's other major work, _The Wretched of the Earth._

Perhaps the reviewers who panned this movie have not read much on the philosophy or sociology of race. Perhaps they assume that movie characters all have to enact or address a set of industry-wide standards. I don't know.

What I know is that, as Fanon advocates in his work, this movie attempts a kind of psychoanalytic destruction of racist stereotypes. What I wonder is whether or not Spike Lee has in fact done as much as Fanon.

Fanon offers hope in his book. And he points out a kind of existential-phenomenological way of living in the world: as a perpetual questioning, as a never-finished task of dealing authentically with a facticity. Does Spike Lee end with this or with hopelessness? If the latter, then I wonder, ultimately, whether his brilliance can withstand the criticisms of those who are simply threatened by him.
Rating: (5 out of 5) @ 2010-04-17
« Masterpiece »
I waited to write my review for this movie because it is a complex story full of heavy topics and 3-dimensional characters. I thought it best to write my review similar to how Ive been thinking about the movie since seeing it a few days ago, choosing to write it as a stream of consciousness.

What is funny? What is comedy? What is satire? What is solidarity and Is it really possible for the black race to achieve this anymore? Was t.v.'s "the Jefferson's" derogatory to the black race? Were shows such as "In living color" a modern minstrel show? Why does no other race in America have as nearly as many issues with interracial and intra-racial image perception? What kind of meaning will the "N" word have in 10, 20, 30 years from now? Is this not greatest film dealing with race ever made? Would the public tolerate a minstrel show, if they were African American performers, today? Why not? Can white America ever atone for it institution of slavery? Will they even try? Can African Americans ever fully recover and be whole despite the psychological damage that slavery has caused, in this country?

In short, this is one of those very few movies I wish I would have written.
Rating: (5 out of 5) @ 2010-02-17
« Entertaining, thought provoking, controversial All In One - Amazing »
Spike Lee is a genius, and this work provides direct evidence. The cast gives outstanding performances, the musical score is right on key, the editing is exceptional. There is so much substance in this film that it is necessary to watch it multiple times and discuss its content with friends and family. This film is a grand contribution to progressing the dialogue and modern social consciousness about race, creative freedom, and media culture in America.
Rating: (5 out of 5) @ 2009-08-21
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