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Chelsea on the Rocks

Average Customer Rating: 2.0
Release Date: 2010-05-04
Publisher:Hannover House
Actors: Abel Ferrara; Walter Cronkite; Dennis Hopper; Milos Forman; Gaby Hoffman
Audience rating:R (Restricted)
Format: Color; Dolby; DVD; NTSC; Widescreen
Language:Original Language: English;

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Chelsea on the Rocks celebrates the personalities and artistic voices that have emerged from the legendary residence, the Chelsea Hotel, in the heart of New York. Once considered an untouchable, impenetrable tower for writers, artists, musicians and mavericks, it has recently been claimed as a boutique hotel venture for a management company that shows blatant disregard for its formidable history. The film intertwines archival footage, interviews and narrative sequences as well as actors who are very much part of the soul of the hotel (Ethan Hawke, Dennis Hopper and others). ... ... Expanded Synopsis: CHELSEA ON THE ROCKS celebrates the personalities and artistic voices that have emerged from this legendary residence in the heart of New York. The 12-storey, 250- room Chelsea Hotel - originally built in 1883 as Manhattan s first cooperative apartment, and the tallest building in New York until 1902 - was converted into a hotel and residence in 1905. Once considered an untouchable, impenetrable tower for writers, artists, musicians and mavericks, it has recently been claimed as a boutique hotel venture for a management company which shows blatant disregard for its formidable history. The officially landmarked building is recognized as an American cultural icon and renowned for those who have lived and created there, including Sir Arthur Clarke, Bob Dylan, Stanley Kubrick, Arthur Miller, Joni Mitchell, Dee Dee Ramone, Larry Rivers, Dylan Thomas, Mark Twain,Tennessee Williams, Milos Forman, Janis Joplin, Donald Sutherland, Patti Smith, Philip Taaffe, Dennis Hopper, Andy Warhol, Edie Sedgwick, Eugene O Neill, Jane Fonda, Leonard Cohen, Robert Mapplethorpe, Tom Waits, Courtney Love, Sam Shepard, Charles Bukowski, Julian Schnabel, Jasper Johns, Viva, Quentin Crisp, Jimi Hendrix and many others (some of whom appear in this film). Beyond the famous are the little known who have made this their refuge in New York - countless writers, painters, directors, costume and lighting designers, gallerists and curators, and those who are just always there with no visible means of support. And then there are those - most famously Sid Vicious girlfriend Nancy Spungen - who died there. Each of these characters fills out a cast that makes this story come together with the best of New York architecture, history, art, comedy and tragedy, all through the eyes and passion of acclaimed auteur Abel Ferrara. Interviewing current tenants, recreating scenes of events that occurred at the Chelsea and intertwining archival footage with different formats of film and video, Ferrara creates a film that breaks through the documentary mould into something that captures the essence of the Chelsea Hotel.

Customer reviews


« Art is a strange hotel »
Since 1883, the Hotel Chelsea in New York City has been considered to be the center of the universe by bohemian culture vultures. It has been the hostelry of choice for the holiest of hipster saints over the years, housing just about anybody who was anybody in the upper echelons of poets, writers, playwrights, artists, actors, directors, musicians and free thinkers over the past century. Some checked in whenever they were in town, and some lived as residents for years on end. Some checked out forever within its walls (most notably Dylan Thomas and Sid Vicous' ill-fated girlfriend, Nancy Spungen). Of course, not every single resident was a luminary, but chances always were that they were someone who had a story or two to tell. Abel Ferrara, a director who has been known to spin a sordid New York tale or two ("China Girl", "Bad Lieutenant", "King of New York", "The Funeral") has attempted to paint a portrait of the hotel with his new documentary, "Chelsea on the Rocks"-with mixed results.

Blending interviews with current residents with archival footage and docu-drama vignettes, Ferrara tackles this potentially intriguing subject matter in frustrating fits and starts. He never decides whether he wants to offer up a contextualized history, an impressionistic study, or simply a series of "So tell me your favorite Chelsea anecdote" stories (ranging from genuinely funny or harrowing to banal and/or incomprehensible).

The most fascinating parts of the film to me were the relatively brief bits of archival footage. For instance, a fleeting 15 or 20 second clip of Andy Warhol and William Burroughs sharing a little repast in one of the hotel's rooms vibes much more of the essence of what the Chelsea was "about" in its heyday than (for the sake of argument) a seemingly endless present-day segment with director Milos Forman holding court and swapping memories with Ferrara in the lobby, during which neither manages to say anything of much interest to anyone but each other. There is a lack of judicious editing in the film, and therein lies its fatal flaw. Ferrara has an annoying habit of jabbering on in the background while his interviewees are speaking, to the point where it starts to feel too "inside" and exclusionary to the viewer. This is exacerbated by the fact that no present-day interviewees are identified. While some of them were easy for me to spot (Robert Crumb, Ethan Hawke, Dennis Hopper and the aforementioned Milos Forman) the majority of them were otherwise obscure (perhaps I'd recognize them from their work, if I at least had a name). You get the impression that the director made this film for himself and his circle of peers, and it's a case of "Well, if you aren't part of the New York art scene and have to ask who these people are, then you obviously aren't hip enough for the room." He lures you into the lobby, but alas, can't convince you to check in for the night.
Rating: (2 out of 5) @ 2010-05-03
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